WEEK 2 DESIGN PROPOSAL & PROCESS
1. Experimenting with new forms unencumbered by structural
limitations creates create ever-changing ephemeral space.
2. Sensitive ductility of surface and aesthetic lightness
highlights the heavy material of this project.
3. The hollow design with humanity builds up
its aerial architectural thoughts.
3 PARALLEL PROJECTIONS
Experimenting with new forms unencumbered by structural
limitations creates create ever-changing ephemeral space.
Sensitive ductility of surface and aesthetic lightness
highlights the heavy material of this project.
The hollow design with humanity builds up
its aerial architectural thoughts.
6 PAIRS OF RECTANGLES
OSCAR NIEMEYER
- Expressing the fluid material property of concrete through form.
- Heaviness of the material vs. the aesthetic lightness of form.
- Volumetric addition and subtraction as a formal strategy.
- Purity of the whole without recognisable parts.
- "Form follows beauty" The hedonistic privileging of beauty instating the curve as an ideal.
- Monumentality as a result of the lack of recognisable scale indicators.
- The promenade towards/throughout the architecture as a human experience of space.
The promenade towards/throughout the architecture as a human experience of space.
Heaviness of the material vs. the aesthetic lightness of form.
Volumetric addition and subtraction as a formal strategy.
MARC FORNES
- Porosity of surface/ space.
- Continuity of surface/space.
- Biomimmicry as a structural strategy.
- Play of light and shadow to create ever-changing ephemeral space.
- Material junction as structural strategy.
- Material junction as ornament.
- Aesthetic lightness.
Play of light and shadow to create ever-changing ephemeral space.
Porosity of surface/ space.
Continuity of surface/space.
ADITIONAL ONE (ANGULAR SURFACE)
Monumentality as a result of the lack of recognisable scale indicators.
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